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Dangerous – why I wrote the sequel to Rope Burns

The birth of Dangerous

I was never close to my father. In fact, to call our relationship ambivalent would be like suggesting that Tom and Jerry had the occasional spat. Indeed, if one single act sums up our relationship it is probably his refusal to see or speak on the phone to me as he lay in bed at home in the months before he died of Motor Neuron Disease. Others may have been able to offer an opinion as to why he didn’t want to see me at the end of his life; but I believe that he and I both knew the reason. It undoubtedly had something to do with his lack of confidence in my ability to keep quiet about a family secret that I’m sure he would have preferred to take to his grave with him.

He died in 2014 and even though I’d only seen him a handful of times in the preceding decades I did my fair share of crying. I didn’t expect to but I did. Initially it was a song entitled Call Me A Rainbow by a relatively obscure Brighton-based band called The Mummers that would set me off. Every time I played this song, which was a lot, I just couldn’t stop the tears from coming. It got to the point where even thinking about it was enough to make the waterworks begin. Eventually I had to just keep away from the song.

I didn’t know why I was crying. I still don’t. Even though it’s no great revelation that the death of a parent is supposed to be an unhappy event I was seriously surprised that it hit me this way. I was even more taken aback when the frequency of my tears began to escalate. Being home alone a lot because of what I do for a living I found that scarcely a day went by when I did not break down. Sometimes I cried on my own, two, three, four times’ a day. Sometimes I would cry in front of family members, sometimes in front of friends.

Being a big hairy bloke, this behavior began to trouble me. Eventually, some six or seven months after his death I went to the doctor. He told me I was probably suffering from depression and immediately put me on something called Citalopram, a commonly prescribed anti-depressant. Unusually for me I actually began ingesting these little white pills without researching their side effects or questioning my GP’s decision. I guess I was desperate.

Amazingly Citalopram made a difference. I no longer felt like crying. In fact, I no longer felt like anything: I couldn’t be happy and I couldn’t be sad. I was just stuck in the middle: a zombie-like hinterland with senses dulled and blunted. Unfortunately, there were also other effects: my arms and legs would periodically tremor to a degree in which I thought I was displaying the early signs of Parkinson’s. I could also no longer have sex. It just wasn’t working for me down there.

So I stopped the pills and paid another visit to the doctor. This time he suggested I see a therapist.

Being a big hairy bloke, the idea of therapy made me uncomfortable; in my mind it seemed like something that other people did. I also saw it as a sign of weakness, which I’m aware makes no logical sense. But I went.

My therapist turned out to be Chinese with, shall we say, not the most fluent grasp of the English language. This meant that speaking to her was a painfully slow exercise. The meaning of every other word had to be explained and she simply refused to laugh at any of my jokes. It was a frustrating experience. However, in the middle of it all something unexpected happened.

One day for no apparent reason I started talking to my Chinese therapist about boxing. More than two decades ago I was a boxing writer for a number of magazines and newspapers. I even edited a boxing trade magazine. I was in my mid-twenties and it was a very exciting time for me. However, I gave it all up, I explained to my therapist, when a friend of mine, the boxer Michael Watson, was almost fatally injured during a world title fight. Before I withdrew from the sport for good, however, I wrote a book entitled ‘Rope Burns’ which sought to explain why I was never going to write about boxing again.

For almost 25 years I had almost nothing to do with boxing. All of the many contacts I had made in the sport, some of them good friends, were forgotten about. I gave up reading about the sport and I gave up watching it. My experience with boxing was, I thought, very much consigned to my past.

However, not long after my father died I had read about the death of Boxing Monthly editor Glyn Leach at only 54. Glyn was only a couple of years older than me and we had worked together on the magazine that he ended up editing for over two decades. Out of respect I had attended his funeral and bumped into dozens of faces from my past, some ex-boxers, some boxing writers whom I had known years earlier. It was a bittersweet experience for someone who was still raw and disturbed by the death of his father. In the pub afterwards, however, people were coming up to me that I had never met and shaking my hand. They seemed to know me even though I didn’t know them. Some of them told me that they were writers and had read and admired ‘Rope Burns’ in their younger days. Needless to say this was good for the ego. Whatever the case I felt a lot of love directed towards me that night.

Perhaps in retrospect that was why I had brought up the subject of boxing with my therapist. And perhaps that’s why in the weeks that followed my conversation with her I began to take her suggestion that I consider writing about boxing again a little more seriously.

And so I began making contact with people whom I used to know in the boxing world a quarter of a century earlier. I had no idea why I was doing this and I hadn’t a clue where it would take me. All I knew is that I felt an urge inside me to talk. To talk to someone. And it ended up being boxers whom I offloaded on to.

My interviews, if you can call them that, we unconventional to say the least. Most of the time I ended up talking about myself, which must have struck my subjects as being a little peculiar. However, their kindness and patience shone through. Before long I began to understand what it was that had attracted me to the world of boxing in the first place. Almost to a man, these so-called hard men of the ring proved themselves to be sensitive, generous human beings. Somehow they seemed to understand and sympathize with what I was going through.

Then in February after meeting up with a handful of names such as transgender boxing manager Kellie Maloney, former world champions Steve Collins and Colin McMillan, my progress hit a rather substantial bump in the road when my daughter fell gravely ill. I ended up abandoning my little writing project and spending the majority of my time at her bedside as she fought to overcome a hole in her lung and pneumonia. She was in hospital for almost three weeks but just as she was discharged fate played a rather unexpected card.

Literally the day after she left hospital I discovered that the ex-boxer Herol Graham was in the ward next to her, also gravely ill. And for a reason that it took me a long time to work out I ended up spending a lot of time at his bedside. There seemed to me to be an element of fate at play: back in 1991 I had not been there for Michael Watson as he lay gravely ill in hospital. Now, here was I attending to the needs of a boxer from my past who had mysteriously dropped in to my lap.

The period I spent with Herol I would almost describe as life transforming. As he got better so did I. And as I got better it seemed to me as if a dam had burst. For eight months I ended up meeting people from my past and sharing incredibly emotional experiences with them. Tears were shed and laughter was enjoyed with these so-called hard men of the ring. Due to these experiences I also ended up confronting my mother about that secret I shared with my father that I mentioned earlier.

The result of this is ‘Dangerous’, my unlikely sequel to ‘Rope Burns’, due out on 15 September 2016.

I could say a lot about the book but truth be told I’m not sure of its value. I’m hoping that I’ve managed to come up with something emotionally moving, important even. However, a part of me suspects that what I might actually have created is something that takes self-indulgence to a whole new level.

I’d rather leave it to Andrew Fairley, another writer and the only person except myself to have read the book in its entirety. This is what he emailed to me the day after he started it:

Christ, Ian.

You don’t hold back do you? I’ve rarely come across a text that comes straight from the heart as this. You may disagree but I think it’s truly brilliant mate, and I’m not just saying that.

Some of the prose is beautiful – ‘a world where black men fought and white men thought’ – and what you’ve written grabs you by the throat and won’t let go. It has that rare quality of staying in your mind even though you’ve stopped reading.

I’m on page 80 (thanks for that, I’ve barely done a stroke at work!!) and will finish it tonight or tomorrow morning and let you know what I think once I’ve finished.

It’s remarkable. I think you’ve written another classic and if this doesn’t win awards, I don’t know what will.

Blimey mate. Many thanks for the privilege of reading this — you can rely on me for publicity. Average writers like me come along every day of the week , but you really do have a very special talent indeed.

Andrew  

Of course, it’s always nice to get a good review. But I’m sure that others will not be quite so positive. I’m already stealing myself for this statistical certainty.